Archive for the ‘maya.rouvelle’ Category

museum of glass residency, performance

Wednesday, July 2nd, 2014

maya.rouvelle museum of glass

Lili and I are the current Artists-in-Residence at the Museum of Glass in Tacoma, WA. We’re working on an assemblage of glass instruments with electronics that we will perform with on Sunday afternoon, July 6, between 2-3pm Pacific Standard Time. It can be seen live here.

In addition to the performance, our work leading up to it in the hot shop will also be streamed live when the museum is open via this link.

38 hours to spring (w/ lili maya)

Tuesday, April 29th, 2014

The music is a variation on the Song of Seikilos.

A LA VITESSE DE TON SOUFFLE @ la generale en manufacture (w/ lili maya)

Wednesday, October 16th, 2013

more details for the work are on the vimeo page.

Influenced by our time walking in and around Paris, La Générale and the jardins de Versailles, à la vitesse de ton souffle is an installation in the form of a sequence of compositions and spaces made of sound, light, objects and movement, activated by visitors walking through the gallery at the speed of their own breathing. Each composition oscillates and slips between various binaries: formal and semiotic, interior and exterior, found and placed, organic and artificial, operand and operator. à la vitesse de ton souffle is a perambulation in a twilight heterotopia of green and pink noise.

Influencés par le temps passé à nous promener dans et autour de Paris, La Générale et les jardins de Versailles, à la vitesse de ton souffle est une installation qui prend forme dans l’ordre des compositions et des espaces créés par le son, la lumière, les objets et les mouvements, activés par les visiteurs qui se déplacent dans l’espace à la vitesse de leur respiration. Chaque assemblage oscille et glisse entre diverses dualités : formel et sémiotique, intérieur et extérieur, trouvé et placé, organique et artificiel, opérant et opérateur. à la vitesse de ton souffle est une pérambulation dans un crépuscule hétérotopique d’un bruit vert et rose.

au concert printemps flottant @ palais de tokyo (with lili maya)

Wednesday, July 24th, 2013

mayarouvelle palais de tokyo

mayarouvelle palais de tokyo

mayarouvelle palais de tokyo

au concert printemps flottant is a maya.rouvelle installation shown at the palais de tokyo as part of concert hall, a large collaborative work included in nouvelle vagues.

au concert printemps flottant is a kinetic installation composed of organic and industrial materials, including a live tillandsia medusa, a custom LED grow light, a motor, and commercial gas vapor street lights, among other materials. a micro-controller regulates movement and changes in lighting intended to both sustain the tillandsia and reveal a sequence of 26 short variations in movement and light over 11 minutes. au concert printemps flottant was built and programmed on-site during the installation period for nouvelle vagues’ concert hall and was influenced by, and references, the themes of music, play and integration at the heart of this exhibit.

the materials include: tillandsia caput-medusa, electronics, plastic tubing, metal springs, custom electric light, vellum, wood, paint.

the dimensions of the work are approximately 10′x20′x15′.

click on the images above or here for the flickr set.

quine (with lili maya)

Wednesday, October 31st, 2012

quine was shown at our solo show at die Botschaft, and is named for logician/mathematician Willard Van Orman Quine. a quine is a computer program that takes no input and produces a copy of its own source code as its only output. our quine was made with the shadows of leaves and branches, and light (sunlight and streetlight) that played across the gallery wall behind it. the changes in light on quine’s surface are intended to evoke an active slippage where the edges of the work expand and contract with the changing ambient light of its environment. the piece is solar powered and composed of motors, circuitry, wire, tape, vellum, leaves, and LEDs.

still images here

mottetto (with lili maya)

Wednesday, October 31st, 2012

mottetto was shown at our solo show at die Botschaft, and is an illuminated drawing in space composed of three similar robots whose LEDs are individually programmed to slowly oscillate between different hues of blue and green. with each oscillation the target hues change, slightly. these changes in color interval expand and contract the speed at which the LEDs change color. each of mottetto’s robots have subtle, distinguishing characteristics.

still images here

resonance (with lili maya)

Wednesday, October 31st, 2012

resonance was shown at our solo show at die Botschaft, and is a kinetic sound work composed of suspended tubing, wire, and electronics. a small motor bounces across the open ends of several small tubes at varying speeds, altering the pattern of sounds emanating from the work and vibrating the LED, which pulses with the same frequencies controlling the motor.

still images here

rounded binary (with lili maya)

Wednesday, October 31st, 2012

rounded binary was shown at our solo show at die Botschaft, and is a kinetic sound work that has two states: spinning and stationary. when spinning, the tape on the motor creates the illusion of a circle – but changes in speed and direction of the motor produce varying tones and a shadow reveals the tape attached to the shaft to be irregularly shaped. when the motor stops spinning the jagged shape of the tape and lack of sound/motion create the illusion of a static sculptural object.

still images here

inversi (with lili maya)

Wednesday, October 31st, 2012

inversi was shown at our solo show at die Botschaft, and is made of an algorithmically generated, 3-d printed object, micro-controllers,LEDs, and a pellegrino bottle. the code varies the frequency and occasionally blinks each LED. the effect of the simultaneous differing frequencies is that the piece appears to shimmer at different speeds across its surfaces, creating optical interference patters. the piece was situated on a marble mantel in the gallery and is a meditation on scale, mass production and the projection of code across three dimensions.

still images here.

rapport (with lili maya)

Wednesday, October 31st, 2012


the video above has detail shots from rapport, shown at our solo show at die Botschaft.

rapport is composed of two similar objects that can be seen as both unified and distinct. each has its own LED array and micro-controller – the code for each is identical and contains randomized elements. the LEDs in each are identical but the materials around them are different, evoking unique qualities of light. the common code causes the two objects to sync and then individuate slowly and randomly. the furniture, found on site, is both support and external, integrated and formal. each element contributes to a rhythm of cohesion and individuation.

still images here.