Archive for the ‘maya.rouvelle’ Category

maya + rouvelle: two daiquiris withdrew into a corner

Thursday, June 30th, 2016

Poetry: John Berryman reading (University of Iowa in 1968) Dream Song #16, excerpt, from 77 Dream Songs.

Henry’s pelt was put on sundry walls
where it did much resemble Henry and
them persons was delighted.
Especially his long & glowing tail
by all them was admired, and visitors.
They whistled: This is it!

Golden, whilst your frozen daiquiris
whir at midnight, gleams on you his fur
& silky & black.
Mission accomplished, pal.
My molten yellow & moonless bag,
drained, hangs at rest.

Collect in the cold depths barracuda. Ay,
in Sealdah Station some possessionless
children survive to die.
The Chinese communes hum. Two daiquiris
withdrew into a corner of the gorgeous room
and one told the other a lie.

Music: Ich bin der welt abhanden gekommen from Rückert-Lieder, Gustav Mahler | LUCERNE FESTIVAL ORCHESTRA | Claudio Abbado | Magdalena Kožena (mezzo-soprano)

Recorded August 2009 in Lucerne, Switzerland. Published by Euroarts on DVD and Blu-Ray.

lucernefestival.ch/en/shop

Based on a text in German by Friedrich Rückert (1788-1866) , no title, from Liebesfrühling, in 4. Vierter Strauß. Wiedergewonnen, no. 29

Lyrics:

I am lost to the world
with which I used to waste so much time,
It has heard nothing from me for so long
that it may very well believe that I am dead!

It is of no consequence to me
Whether it thinks me dead;
I cannot deny it,
for I really am dead to the world.

I am dead to the world’s tumult,
And I rest in a quiet realm!
I live alone in my heaven,
In my love and in my song!

[ The video is a composed of found footage from various sources ]

maya + rouvelle: wag

Thursday, June 23rd, 2016

Footage captured by Selina Doroshenko during a Maya + Rouvelle artist talk/performance at MICA’s Graduate Studios Salon in Baltimore. Audio: John Berryman reading Dream Song 14.

maya + rouvelle: colony…ellipsis

Tuesday, June 21st, 2016

maya + rouvelle: resownen w/lili maya

Monday, June 29th, 2015

prelude to installation/performance work for Stazione di Topolo, July 2015

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maya + rouvelle: Pilchuck Glass School Residency Documentation

Monday, December 8th, 2014

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click here for the complete set on Flickr

During our residency at Pilchuck Glass School, we expanded on work started at the Museum of Glass and we developed a series of new works involving sound making objects, printmaking and drawing. We gave two performances during our residency, and some of our printmaking was exhibited during November 2014 at the Pilchuck Glass School Exhibition Space. Additional documentation of our performances and print process are linked below.

Our sound work with glass involves the creation of shapes that can be bowed or struck to produce fundamental pitches and harmonics so that one instrument can sound more than one pitch. Working carefully with our expert gaffers, Manny Krakowski and Netty Blair, we were able to make several variations of vessel shapes that each produced a complex spectrum of tones. We were also able to develop methods of linking two or more objects on a rocking base so that two objects could be played simultaneously by one player and variations on timbre and attack through bowing, striking, rocking were possible.

For our performances we grouped objects in terms of their tunings and timbres making tuning changes (by reshaping, or filling vessels with water) where necessary to create a specific temperament. Once we created a temperament we improvised extensively with it and developed compositions for it. Our compositions are a mix of rehearsed sections/gestures connected by improvisation. While we usually decide how to start and end, the pieces are largely determined during the performance.

In both our sound and print work we used electro-magnet/neodymium magnet setups where the magnets moved in response to changes in the polarities of our electro-magnets that were triggered by fluctuations in the EMF of the space where they were.

As sound, the clinking/tapping of the magnets against glass added a percussive, chaotic element to our compositions; something that fueled our improvisations as the magnets never behaved the same way in each performance.

For the prints, we used the same set of circuitry, vessels and magnets, but as mark making elements. We set the magnets up on inked plates and let them roll until they were covered in ink and had left marks on the plates. We then made several prints with the plates, and then placed the electro-magnet setup on the prints’ surface in the same configuration and let the neodymium magnets deposit the ink they had previously gathered. Freshly inked magnets were also added in the process. As with the sound pieces, the electro-magnet’s polarity oscillates in response to changes in EMF around them.

Our drawings incorporate variations on the shapes of the goblet and the vessel, primary glassblowing forms that suggested to us the physiology of the inner ear. The drawings functioned as non-dimensional starting points for the development of our sculptural and sound making objects.

Our time at Pilchuck was special and we are grateful to the long list of wonderful people who made our experience so memorable including Tina Aufiero, Rebecca Arday, Jim Baker, Ben Wright, our gaffers Manny Krakowski and Netty Blair, our assistants Keunae Song and Anna Masowsky, Alex Gibson in the printshop, Rebekah Birkan, who constructed the amazing frame for the goblets from found metal in the Pilchuck metal shop and Zach Lorenzetti who made music with us and assisted behind the wheel!

maya + rouvelle: Electro-Magnet Print Process w/ Lili Maya

Wednesday, October 22nd, 2014

This is documentation of our electro-magnet/neodymium ball magnet setup that we use in our sound performances re-cast as a mark making element for a print project at the Pilchuck print studio.

We set the magnets up on an inked plate and let them roll until they were covered in ink and had left marks on the plate. We then made a print with that plate, and then placed the electro-magnet setup on the print’s surface, in the same configuration, and let the neodymium magnets deposit the ink they had previously gathered.

The magnetic field oscillates in response to changes in EMF.

The prints we made will be exhibited in Seattle during November.

maya + rouvelle: museum of glass residency image set

Tuesday, August 19th, 2014

maya.rouvelle at the museum of glass

maya.rouvelle at the museum of glass

maya.rouvelle at the museum of glass

For our Museum of Glass residency our preparation included a material investigation of glass that resulted in an interest in its sonic and sculptural properties. We worked with combining fundamental glass forms (goblets and vessels) and electro-magnets (as a way of making sound), and making those forms resonate by striking and bowing them. A concept of hybridization, experimentation, improvisation and performance began to emerge.

We arrived at the museum with non-dimensional drawings based on the physiology of the inner ear that functioned as starting points for the development of sculptural and sound making objects that we developed and made with the hot shop team.

Informed by our research and recent developments in our collaborative practice we took the opportunity to engage the hot shop as studio space, installation space and performance space.

The results of our process included sculptural objects (two of which are now part of the museum’s permanent collection), drawings, an installation and sound performance.

The sculptural forms we made also functioned as acoustic resonators in our sound performance.

for the flickr set click here.

maya + rouvelle: Museum of Glass interview

Thursday, August 14th, 2014

maya + rouvelle: Museum of Glass Lecture/Performance

Wednesday, August 6th, 2014



Lili Maya and James Rouvelle at the Museum of Glass

we’re working on our own documentation from MoG and Pilchuck (performances, sculpture, drawing and prints) that we hope to post by the end of the month.

maya + rouvelle: museum of glass residency, performance

Wednesday, July 2nd, 2014

maya.rouvelle museum of glass

Lili and I are the current Artists-in-Residence at the Museum of Glass in Tacoma, WA. We’re working on an assemblage of glass instruments with electronics that we will perform with on Sunday afternoon, July 6, between 2-3pm Pacific Standard Time. It can be seen live here.

In addition to the performance, our work leading up to it in the hot shop will also be streamed live when the museum is open via this link.