rico suave

before she died my mother bought me a winter coat with a lot of velcro on it. it’s really warm but the velcro is a pain. i wear it anyway.

sitting on the subway reading a book a young woman sat down next to me. within a minute or so she asked me what i thought of the book i was reading. it’s by Dan Gilbert, a Harvard Psychologist and researcher into Hedonics – the study of pleasure. the book is called Stumbling on Happiness and while is sounds like something from the self-help section (actually, i think barnes and noble stocks it in the self-help section) it is rich with all sorts of very interesting studies on, among other things, cognitive biases and, in general, thinking about the process of thinking – and how our penchant for thought errors and flawed heuristics dooms us to be persistently UN-happy. i’ve learned a lot from that book, and the research he cites has opened up all sorts of things for me. so, i told this woman what i’m telling you – i like it a lot.

she smiled, we exchanged a few pleasantries and that was that. while hurtling through the tunnel i thought about rekindling the conversation. before i could do anything we were pulling into a station. she tugged on my sleeve, said, loudly, “C’mon, let’s go!” and stood up.

Heeeedonics, baby!!!

i jumped up and followed her onto the platform. there were a lot of people getting off the train and we were separated – i kept my eye on her and moved through the crowd to catch up with her. as i got closer i saw her talking to someone else – who i realized was sitting across from us on the train, and then it all dawned on me….

fucking velcro.

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inside out

on the downtown A a large man was shuffling around. he started to sit down and began talking – which lead me to believe he had found someone he knew.

he had a clear, resonant voice that cut through the rattle and noise of the train. i went back to reading a book.

a few minutes later, pulling out of 125th with many more people on board he stood up, and began talking again – this time it was clear he was alone. i half-listened while i continued to read, but soon lost interest in my book in favor of checking out what was happening on the train.

while looking out a window i noticed green light in the tunnel and just at that moment heard the man say, “green light in the tunnel.” i started listening without looking at him and realized he was verbalizing whatever he became aware of – ads on the train, people, thoughts, whatever crossed his conscious mind. sometimes he swore – but nothing he said, if understood as an inner monologue was odd at all. i know that my inner monologue, with some adjustments at least, is very similar to his. what made him sound strange is that he was voicing his inner thoughts while slowly shuffling around one section of the train.

it occurred to me that our raw, inner monologue is raw because it’s divorced from the normalizing influence of the shared, external world. for most of us, when we act on our inner monologue, when we introduce our thoughts in the form of actions within shared space, that process is one of adaption – or, perhaps, translation – and, at least for me, those domains – the inner, and the shared each have their own dialects, vocabularies, and prosodies. the fellow on the train obviously had some issue about making the translation from inner to outer – and it made an impression on me as i don’t recall ever experiencing something like that before.

exactitudes

my friend ev showed me this project.

exactitudes

Rotterdam-based photographer Ari Versluis and profiler Ellie Uyttenbroek have worked together since October 1994. Inspired by a shared interest in the striking dress codes of various social groups, they have systematically documented numerous identities over the last 14 years. Rotterdam’s heterogeneous, multicultural street scene remains a major source of inspiration for Ari Versluis and Ellie Uyttenbroek, although since 1998 they have also worked in cities abroad.

They call their series Exactitudes: a contraction of exact and attitude. By registering their subjects in an identical framework, with similar poses and a strictly observed dress code, Versluis and Uyttenbroek provide an almost scientific, anthropological record of people’s attempts to distinguish themselves from others by assuming a group identity. The apparent contradiction between individuality and uniformity is, however, taken to such extremes in their arresting objective-looking photographic viewpoint and stylistic analysis that the artistic aspect clearly dominates the purely documentary element.

Wim van Sinderen, Senior Curator Museum of Photography, The Hague

you’ll probably find all the people you know somewhere in there – but you probably won’t find your self. hmmmm.

identity trip

while doing some research on self-experimentation (actually identity-experimentation is more accurate, i’m interested in developing some insight regarding understanding my own [and by extension one’s own – we’re very similar, you and i] affective relationships with environmental elements [a la Kurt Lewin’s Force Field Theory], and my cognitive biases- new year’s resolution…) i found a series of scientific american articles.

in the article on Alexander Shulgin, an octogenarian chemist known as the world’s foremost psychonaut, i read that “…rodents will happily ingest most intoxicants and narcotics —from marijuana to heroin—but not the headier psychedelics.”

while rats have something similar to our pre-frontal cortex (the place in our brain where dreams, plans, hallucinations, and other mental simulations are made) they don’t have a fully developed pre-frontal cortex as we do. i find this interesting.

i also find it interesting that the same article mentions “…Roland Griffiths of Johns Hopkins University School of Medicine, one of the researchers who is restarting basic research into psychedelics. His lab has shown that psilocybin, the active ingredient in the variety of fungi known as magic mushrooms, can bring on lasting feelings of well-being. This may indicate that it could be harnessed to help clinically depressed or addicted patients.”

i think i’ll catch that wave of volunteerism sweeping across the country.

narrow framing

My cat kept eating a plant in my apartment that made her vomit. I realized what was going on and moved the plant where she can’t get at it. Apparently some of its leaves were left under a chair and she found them this morning, ate them, and about twenty minutes later let out a series of pre-puke cries and threw-up twice. Poor cat. Why can’t she learn not to eat that plant? Something about it stimulates her highly developed mammalian brain to consume it, and regardless of the inevitable aftermath she can’t override that impulse. If only she had a more developed pre-frontal cortex, like us?

As a fellow mammal with equally puzzling behaviors in response to environmental stimuli – but with the benefit of additional cognitive apparatus, I am reminded of this part of a lecture by Daniel Kahneman called a short course on thinking about thinking sponsored by edge – the excerpt below is from session one, there is video/transcription for all the sessions here. I’ve been voraciously consuming Kahneman’s work lately…. The excerpts in bold/italics are my doing.

Well over 30 years ago I was in Israel, already working on judgment and decision making, and the idea came up to write a curriculum to teach judgment and decision making in high schools without mathematics. I put together a group of people that included some experienced teachers and some assistants, as well as the Dean of the School of Education at the time, who was a curriculum expert. We worked on writing the textbook as a group for about a year, and it was going pretty well—we had written a couple of chapters, we had given a couple of sample lessons. There was a great sense that we were making progress. We used to meet every Friday afternoon, and one day we had been talking about how to elicit information from groups and how to think about the future, and so I said, Let’s see how we think about the future.

I asked everybody to write down on a slip of paper his or her estimate of the date on which we would hand the draft of the book over to the Ministry of Education. That by itself by the way was something that we had learned: you don’t want to start by discussing something, you want to start by eliciting as many different opinions as possible, which you then you pool. So everybody did that, and we were really quite narrowly centered around two years; the range of estimates that people had—including myself and the Dean of the School of Education—was between 18 months and two and a half years.

But then something else occurred to me, and I asked the Dean of Education of the school whether he could think of other groups similar to our group that had been involved in developing a curriculum where no curriculum had existed before. At that period—I think it was the early 70s—there was a lot of activity in the biology curriculum, and in mathematics, and so he said, yes, he could think of quite a few. I asked him whether he knew specifically about these groups and he said there were quite a few of them about which he knew a lot. So I asked him to imagine them, thinking back to when they were at about the same state of progress we had reached, after which I asked the obvious question—how long did it take them to finish?

It’s a story I’ve told many times, so I don’t know whether I remember the story or the event, but I think he blushed, because what he said then was really kind of embarrassing, which was, You know I’ve never thought of it, but actually not all of them wrote a book. I asked how many, and he said roughly 40 percent of the groups he knew about never finished. By that time, there was a pall of gloom falling over the room, and I asked, of those who finished, how long did it take them? He thought for awhile and said, I cannot think of any group that finished in less than seven years and I can’t think of any that went on for more than ten.

I asked one final question before doing something totally irrational, which was, in terms of resources, how good were we are at what we were doing, and where he would place us in the spectrum. His response I do remember, which was, below average, but not by much. [much laughter]

I’m deeply ashamed of the rest of the story, but there was something really instructive happening here, because there are two ways of looking at a problem; the inside view and the outside view. The inside view is looking at your problem and trying to estimate what will happen in your problem. The outside view involves making that an instance of something else—of a class. When you then look at the statistics of the class, it is a very different way of thinking about problems. And what’s interesting is that it is a very unnatural way to think about problems, because you have to forget things that you know—and you know everything about what you’re trying to do, your plan and so on—and to look at yourself as a point in the distribution is a very un-natural exercise; people actually hate doing this and resist it.

There are also many difficulties in determining the reference class. In this case, the reference class is pretty straightforward; it’s other people developing curricula. But what’s psychologically interesting about the incident is all of that information was in the head of the Dean of the School of Education, and still he said two years. There was no contact between something he knew and something he said. What psychologically to me was the truly insightful thing, was that he had all the information necessary to conclude that the prediction he was writing down was ridiculous.

COMMENT: Perhaps he was being tactful.

KAHNEMAN: No, he wasn’t being tactful; he really didn’t know. This is really something that I think happens a lot—the outside view comes up in something that I call ‘narrow framing,’ which is, you focus on the problem at hand and don’t see the class to which it belongs. That’s part of the psychology of it. There is no question as to which is more accurate—clearly the outside view, by and large, is the better way to go.

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ilia ovechkin’s ‘a thousand knights; no respawn’

a thousand knights; no respawn

Ilia Ovechkin told me about a work of his from ’07 entitled: A Thousand Knights; No Respawn. that he created using the Sauerbraten game engine.

The piece features a sparse landscape brimming with, seemingly, a thousand knights colliding into each other as they stomp and slash. “Respawn” is a gaming term referring to the resuscitation of a character after its death.

As i understand the game, players entering the field of play are instantly killed by the myriad marauding knights and spend most of the game in the afterlife (‘no respawn’).

I’m not sure what that afterlife consists of, or if it exists within the game proper, or elsewhere as the perspective of the person playing the game watching the inevitable, instant killing machine that is the field of play (i think it’s the latter), but, in any case, i find the project clever and inspiring, and find myself wandering into ARG land, wondering how to script some poetic interactions with a player that occur within a game’s afterlife – and how the creation and definition of that afterlife environment could be the intention of that phase of the game, and developed collaboratively between the player and the game and, perhaps, how the resulting and varied afterlives could echo lightly back into the initial field of play as some subtle change… but that’s just my own current fascination with transfigured respawn.

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captain beefheart’s compositional methods

[youtube]http://www.youtube.com/watch?v=ED3oIxZKgU4[/youtube]

nice description of beefheart’s compositional methods in his later work: drum parts derived from throwing metal ashtrays against the wall and swinging shopping bags containing various things, to his exploding note theory, and in-studio compositional/recording techniques.

you can find cardboard cut out sundown on rhapsody.com – it’s the 6th track on ice cream for crow. the part gary refers to begins (i think) around 1:50 and culminates around 2:05.

you can also find an interesting BBC documentary on captain beefheart by searching captain beefheart documentary on youtube.

euh? + wikiweb

my student anthony mattox – check out his project wikiweb (wikipedia visualization in processing he did for my scripting class this semester) showed me euh? last week. nice.

in speaking with sam about euh? we agreed that neither of us have seen such an interesting use of pop-up windows as in this version of pong.

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chopsticks, card sorting, nomic, and hand games

on a crowded train tonight i saw a teenager pointing and wagging her fingers at someone – i couldn’t figure out what she was up to, and eventually realized she was playing some sort of hand game.

as i’ve been thinking a lot about hand-made, hobby, hacked ‘games’ and off-beat transactional schemes lately i was intrigued.

walking back to my apartment and trying to figure out what the game was i recalled trying to develop a hand game a few years ago as an out-of-gallery component to a project i was working on for art interactive in cambridge, ma. i wanted to create some off-site action that would reflect some of the underlying logic and intentions of the installation in a portable form. the hand game component never happened.

when i got home i started searching and found out about chopsticks – and also located an online version – i’m pretty sure that was what the teens were playing – i’d never heard of it before. i like it.

here are two girls playing chopsticks:
[youtube]http://www.youtube.com/watch?v=xyxR0IKCGKs[/youtube]

this reminds me of a favorite video of the wisconsin card sort, a test of frontal lobe function where subjects try to figure out the rules for placing picture cards in front of other picture cards by placing cards on the table and receiving and ‘yes’, or ‘no’ from the person administering the test. the challenge behind the wisconsin card sort is that the rules change during the test…

[youtube]http://www.youtube.com/watch?v=ABlncLQ4x4E[/youtube]

would be interesting to develop a hand game where one of the moves is to change the rules silently.

hand nomic? – sort of…

let me know.

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