PREMIERE: About Thresholds arrives in Brooklyn Saturday, May 30

Last October, some of you joined us in Brooklyn for an early look at our in-progress showing. Today, we are excited to invite you to the premiere of the fully completed work.

Join me, Lili Maya, and choreographer Jude Markey-Smith on Saturday, May 30 at MITU580 for the premiere of About Thresholds.

About Thresholds is a textured, 60-minute performance that unfolds across three distinct sections. Set within a field of sculpture, dance, live video, and sound, the piece explores interior and exterior proportionality as a dynamic framework of orientation—directly influenced by the dancer’s changing pulse.

Performance Details

  • Date: Saturday, May 30
  • Venue: MITU580 (580 Sackett Street, Brooklyn, NY)
  • Time: Doors open at 6:30 PM | Performance begins at 7:00 PM
  • Tickets: $14.64

Reserve Your Tickets on Eventbrite

We look forward to sharing this project with you.

2 / a lattice of unplanned measurements

Headphones suggested

The music is based on a 10 note scale derived from a set of 5 natural and prime numbers through a process inspired by Ervin Wilson

The fundamental frequency is 432Hz

Part 2 is in three short movements:

Image: Lili Maya, Composition/Performance: James Rouvelle

exactitudes

my friend ev showed me this project.

exactitudes

Rotterdam-based photographer Ari Versluis and profiler Ellie Uyttenbroek have worked together since October 1994. Inspired by a shared interest in the striking dress codes of various social groups, they have systematically documented numerous identities over the last 14 years. Rotterdam’s heterogeneous, multicultural street scene remains a major source of inspiration for Ari Versluis and Ellie Uyttenbroek, although since 1998 they have also worked in cities abroad.

They call their series Exactitudes: a contraction of exact and attitude. By registering their subjects in an identical framework, with similar poses and a strictly observed dress code, Versluis and Uyttenbroek provide an almost scientific, anthropological record of people’s attempts to distinguish themselves from others by assuming a group identity. The apparent contradiction between individuality and uniformity is, however, taken to such extremes in their arresting objective-looking photographic viewpoint and stylistic analysis that the artistic aspect clearly dominates the purely documentary element.

Wim van Sinderen, Senior Curator Museum of Photography, The Hague

you’ll probably find all the people you know somewhere in there – but you probably won’t find your self. hmmmm.

captain beefheart’s compositional methods

[youtube]http://www.youtube.com/watch?v=ED3oIxZKgU4[/youtube]

nice description of beefheart’s compositional methods in his later work: drum parts derived from throwing metal ashtrays against the wall and swinging shopping bags containing various things, to his exploding note theory, and in-studio compositional/recording techniques.

you can find cardboard cut out sundown on rhapsody.com – it’s the 6th track on ice cream for crow. the part gary refers to begins (i think) around 1:50 and culminates around 2:05.

you can also find an interesting BBC documentary on captain beefheart by searching captain beefheart documentary on youtube.

we’re built to adapt, and adapt to what we build

my friend eric (who sometimes reads this stuff) had a party a few weeks ago, during which we had a brief talk about what was on our minds – i mentioned something about ‘motivating environmental stimuli’ and the built environment (eric is an architect). anyway, eric sent me an email afterwards and i thought i’d share some of what i wrote to him with you – whoever you are…

i am caught up in thinking about environmental psychology lately – how the built environment triggers specific responses, and how those responses seem to amplify frontal lobe behaviors (planning, simulating, calculating, managing) – and how below the frontal lobe is our limbic system – which is a finely tuned mammalian brain wired to help us adapt to whatever environment we’re in ‘intuitively’ – or, at least, ecologically (like all other mammals do). perhaps biological psychiatry is a better phrase.

we’re built to adapt and adapt to what we build, and while we, unlike other animals, can simulate/imagine potential outcomes and choose to do one thing rather than another based on what we imagine, regardless of the strength of the impulse (frontal lobe over limbic) i think the proliferation of frontal lobe behavioral stimulation we’ve embedded in our environment (things that cause us to retrospect, prospect, mentally simulate, etc.) is making us less ecologically (and self), aware, and that is retarding our development of knowledge (increased awareness).

i don’t have a specific solution but i’ve begun spending more time observing what motivates me in an environment, and how i feel (emotionally, physically) – and what types of intellectual activity (planning, retrospecting, prospecting, calculating, ?) seem to accompany various stimuli – and how there is an engaging ebb and flow of intellective and impulsive states of mind and responses. i think of it as a personal practice of skeptical empiricism intended to perhaps balance out my executive-simulating, and intuitive-ecologically adaptive mind(s).

i’ve mentioned nicholas taleb before, and i heard (and read – excellent tools over on fora.tv) him state his intentions like this:

how to turn a lack of knowledge, and a lack of understanding into action

my simple practice creates a state of mind similar to this idea.

here’s another quote of his that i’ve been thinking about today, from an interview with knackeredhack:

The biggest problem we have is effectively the incentive system. You should be able to pay $10 for a newspaper some days, and nothing another day. People pay the same price every day, regardless of the amount of news. That is counter to the way randomness is. In Extremistan [Taleb’s term for a world fashioned by rare and extreme events as ours has become] some days you have a lot of news, some days you have no news.

my take is that the pricing system (and even the layout/design of the document) creates a patina of orderliness that is strangely disconnected from the inherent turbulence of its content. And we train to (adapt to) that patina of orderliness, that appeals to/stimulates our frontal lobe, which manages our limbic system, that connects us to our environment ecologically, and so on.

interesting times.