Category: artworks

flickr set

This video is from the second performance at the Shanghai Theater Academy and was recorded and mastered by Grammy nominated recording engineer Matthias Erb.

This video is from the first performance at the Mercedes-Benz arena and was recorded and edited by Shanghai Television

Conceptualized by maya+rouvelle, with a composition by Weilu Ge, Woven was created for the Shanghai New Art Festival 2017, whose theme was “East/West, Scenery in a Mirror”.

The piece was performed twice in Shanghai at the Mercedes Benz arena and twice at the Shanghai Theater Academy in October, 2017.

Scored for Glass instruments, Bass, Percussion, and Pipa. The staged version included an actress and live video.

Description:

Throughout the performance the actress is accumulating wearable artifacts that embody the binaries of past/present, male/female, east/west. These artifacts are arranged in specific groupings at different locations on stage. Each group of artifacts embodies a different mix of binaries and the performer is tasked with integrating the materials and their concepts into her evolving character throughout the performance.

The audience is understood by the performer as a mirror upon which she tries to organize and understand her multilayered persona.

At the conclusion of the piece the actress joins the audience, takes a seat, and photographs the scene that she has recently departed.

Program note from the festival:

We change as we adapt to our environments, and through that process we become amalgamations of each other. If we allow ourselves to see and be seen as these unusual reflections across space, time, and cultures we allow ourselves to learn through empathy, and cultivate wisdom. There is an essential human force that connects past and present, male and female, East and West, the known and the unfamiliar. Its goal is to weave us together into a stability of change.

Our project is about this energy. Spanning binaries, it is a force that builds social cohesion as it fosters individuality.

But we must do our part, to both weave and to allow ourselves to be woven, to permit the process to live within and around us. Without it things unravel, and we become lost in a pile of tangled threads.

The ensemble:
Actress, Ni Yingying (Mercedes-Benz Arena)
Actress, Wenling Zhao (Shanghai Theater Academy)
Pipa, Yiming Feng
Glass Instruments, James Rouvelle
Electric Bass, Jiawei Zhang
Percussion, Tianyi Zhang
Live video/PTZ Camera, Lili Maya
Electronics, composer, Weilu Ge
Recording Engineer, Matthias Erb
Concept, Maya+Rouvelle
Composition, Weilu Ge

FIGURE GROUND is a movement and media work performed at Eden’s Expressway in SoHo NYC as part of movement research’s Open Performance Series. This video is documentation of its first performance.

The work is based on the Second Tableau (The Sacrifice) of the Joffrey Ballet/Millicent Hodson’s 1987 reconstruction of the “original” Nijinsky choreography/Roerich costume and set design for the 1913 Ballet Russe production of Le Sacre du Printemps.

At the core of this piece is a cyclical dynamic of transitioning figure and ground relationships. Ritual, sacrifice, mystery, earth, the heroic, politics of gender and technology, death and renewal are embodied by the integration, camouflaging, and collision of different musics, times, materials, cultural forms, and media.

Materials: original and found sound and video, paper, string, choreography and dance.

Found Video:
Festa Della Bruna

Les 100 ans du Sacre du Printemps par le théâtre Mariinski

My second best SuperHyperCube run, so far

US soldiers getting manicures

Len Lye’s Tusalava

Found Audio:
Beethoven Op. 132, Budapest Quartet

Stravinsky, Requiem Canticles

Burial, Come Down to Us (Hyperdub 2013)

Ambient music for Len Lye’s Tusalava by Andrew Pask

Realized in a re-purposed bank in Detroit, Place and Borrow is an interactive performance work for actor and media. The piece was developed for G. Louise Cooper, who gave the performance and installed the work in the multidisciplinary art space Grand on River as part of MicroMacro Art Biome (catalogue pdf). The video was shot by Remi Slade-Caffarel.

The basic premise of the piece is that somehow, through the process of installing the exhibit, the formerly abandoned bank has woken up to find itself an art space. It channels its dual nature through a head teller/performer and attempts both to continue its business as a bank and performance venue. This is America, 2016.

The media includes bismuth, lead, paper, string, bio-plastic, a wireless, head-mounted camera, projector, and a remote control vehicle.

A detailed description of the piece, script, and other relevant materials can be found here.

Photos of the piece can be found here.

original footage.

Poetry: John Berryman reading (University of Iowa in 1968) Dream Song #16, excerpt, from 77 Dream Songs.

Henry’s pelt was put on sundry walls
where it did much resemble Henry and
them persons was delighted.
Especially his long & glowing tail
by all them was admired, and visitors.
They whistled: This is it!

Golden, whilst your frozen daiquiris
whir at midnight, gleams on you his fur
& silky & black.
Mission accomplished, pal.
My molten yellow & moonless bag,
drained, hangs at rest.

Collect in the cold depths barracuda. Ay,
in Sealdah Station some possessionless
children survive to die.
The Chinese communes hum. Two daiquiris
withdrew into a corner of the gorgeous room
and one told the other a lie.

Music: Ich bin der welt abhanden gekommen from Rückert-Lieder, Gustav Mahler | LUCERNE FESTIVAL ORCHESTRA | Claudio Abbado | Magdalena Kožena (mezzo-soprano)

Recorded August 2009 in Lucerne, Switzerland. Published by Euroarts on DVD and Blu-Ray.

lucernefestival.ch/en/shop

Based on a text in German by Friedrich Rückert (1788-1866) , no title, from Liebesfrühling, in 4. Vierter Strauß. Wiedergewonnen, no. 29

Lyrics:

I am lost to the world
with which I used to waste so much time,
It has heard nothing from me for so long
that it may very well believe that I am dead!

It is of no consequence to me
Whether it thinks me dead;
I cannot deny it,
for I really am dead to the world.

I am dead to the world’s tumult,
And I rest in a quiet realm!
I live alone in my heaven,
In my love and in my song!

[ The video is a composed of found footage from various sources ]

Footage captured by Selina Doroshenko during a Maya + Rouvelle artist talk/performance at MICA’s Graduate Studios Salon in Baltimore. Audio: John Berryman reading Dream Song 14.